Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, March 7, 2013

interchange/imparting


The other day I was thinking about communication vs.conversation. Not only the conversations between folks in a room, but how conversation works in the visual arts and social media.
 
This train of thought has sparked an intense interest in museums and curating. I’m thinking about the relationship between the viewer and the observed. I guess this started with the Paper People. When I look back at the first couple pieces I can see that I was exploring this relationship. I wanted to turn the secret room perspective on its head. It was more about interchange than imparting.

The other day one of my pieces was featured on a blog I enjoy. I was able to read about the viewer’s reaction to the piece. I’m always curious to hear the stories that the Paper People bring up. More than anything I’ve created before, I’m hesitant to tell people “what they mean”.

At my artist’s talk last summer one of the artists in residence said that she found the collection “generous”. I’ve thought about that a lot since then.  

At this time much of the art we’re exposed to is through the Internet and social media. This introduces yet another element. I’m thinking about that. What are the advantages? What are the disadvantages?

You can see the blog post here.
 
 
 
 
 
 

Tuesday, May 8, 2012

one new sculpture

at the table # 3

papier mâché













Friday, March 9, 2012

The Painter Who Loved Chickens - a Book Suggestion

We just checked out a lovely children's book from our local library, one that earns a spot on my gift book list.



The Painter Who Loves Chickens, by Olivier Dunrea is the story of a painter who lives in the city yet dreams of living on a farm with the animals he loves. The illustrations are bright, colorful, and full of fun details. As a 4-H poultry club Mom, I appreciate the accurate breed paintings opposite each full page illustration.



There once lived a man who loved chickens - very much. He made his home in the city, but he dreams of living on a farm. And on his farm he would have chickens, lots of chickens....



Sure, I'm a painter who loves chickens, but I promise you don't have to be to fall in love with this book.

Monday, March 5, 2012

Inside the Box (The Artists' Gallery Annual Box Show )

An invitation to participate in The Artists' Gallery annual box show got me experimenting "inside the box". My invitation came with a 6 inch pine box that I could work with in any way I wished. This is an image of the first day.



When I saw the box I thought about shelter. I went about recreating(at 50% scale) an earlier sculpture that was about a different type of shelter. I've been curious about placing the paper people inside a structure - this gave me the opportunity to play around with that idea.






Well, it was a busy week around here and I didn't finish painting my outer walls. I missed the deadline by about 12 hours, but I'm thankful for the nudge to try something new. I look forward to doing it again next year.

Friday, November 18, 2011

The Artist Statement (and the subject of Love)

I don't meet many artist who enjoy writing about their work; as essential as it is, the artist statement is often a thorn in our sides. The purpose is to offer a platform from which the viewer can explore the work. My approach is usually to be as brief and straight forward as possible. I grumble and edit and end up with words on paper that introduce people to my work.

When I sat down to write about the paper people, the task was more difficult than ever. I prefer to have my hands tell the story, but the collection must travel with a statement. Two words came to mind, a title perhaps: necessary luxuries. The Paper People were here to be a little bit braver about the things we crave need, but for some reason, can't quite deem essential. They challenge our habit of keeping secret that which is most human.

private collection Philadelphia


private collection Washington DC


One day, after quite a while of having only a few lines I would commit to, I came across this quote by visual, conceptual, installation performance artist, Helene Aylon:

"Because there  is a fear of sentimentality, love is not very often addressed -- and it is really the one motivation in all of our lives."

Well, there you have it, I was afraid to say it's about love. I was afraid of setting that word out to sail in a sea of misconceptions. For me love is
                               bigger
                               badder
                               brighter
                               bolder & more brilliant than my words can convey. I would prefer the paper people say it for me. As Jean-Paul Sartre put it, "There is no love apart from the deeds of love; no potentiality of love but that which is manifest in loving."





private collection Indiana


So, as these pieces greet the public, they will be accompanied by the sparse words that came to mind on the first day I started ripping up newspaper...a question more than a statement:

What would we share if we didn't fear?
Which simple pleasures have become necessary luxuries?
The explorations of the paper people.



                                                  


Wednesday, November 2, 2011

one new sculpture

Here are some pictures of one of the new sculptures. You can see more of the Paper People here.







Tuesday, November 1, 2011

Halloween and Tarot for Children

Halloween was a blast, despite the fact that my youngest spent Mischief Night in the ER getting stitches in her finger. She was quite adamant that she did NOT need any help tackling the largest pumpkin she could haul. I applaud her determination, but next year I have the feeling she'll take me up on my offer plead to help.

The Halloween costume I mentioned in the last post was inspired by the character, Prunella on the Arthur show.



Prunella is a a peach colored rat who is interested in yoga, fortune telling, and paranormal phenomena. In one episode her sister, Rubella, makes a cootie catcher as a gift for Prunella's half birthday and claims that it can tell the future. We made cootie catchers after watching and started talking about other ways people play with telling fortunes. The cootie catcher gives very definite answers, maybe you remember from grade school, things like:

no way
for sure
you can bet on it
not in your dreams...

Just like in the episode, some people around here were not too thrilled with the cootie catcher's answers. I remember feeling the same way about my magic 8 ball. This got me thinking about  Tarot cards; the way they act as a Rorschach test of sorts, and allow you to explore aspects of life without pushing definite answers. I looked up "children's tarot cards" on-line, not sure if I would find any. It seems that others had the same idea because there was a list of results for various ways the tarot deck could be re-imagined for children. These days the tarot deck could incorporate anything from astrology, Kabbalah, runes, I Ching, animals....so you can see how children's fables and storybook characters could find their place in the major arcana. These cards deal the human condition and their titles might remind you of fables, or Shakespeare characters. I see it as a good way to explore the human condition with the child leading the way. There is no need to lend belief to the occult to use the cards; the Tarot has been a source of inspiration and creativity for individuals simply by sparking their imaginations.





I decided to ask my kids if they wanted to illustrate their own set. After taking a look at how diverse the decks are, they dove in with their own ideas about what strength, justice, earth, fool...might look like to them.

My daughter went from curiosity about Prunella's cootie catcher, to dressing like a fortune teller for Halloween and doing "readings" (which consist of selecting some cards and then telling a story around them). The tarot deck is a work in progress and I will post some pictures soon if I get the artist's permission.


Sunday, July 10, 2011

art, sex, and growing things - I want to learn more about Wanda

Wanda Gag is the writer and illustrator of one of my favorite childhood books, Millions of Cats.


I've always been drawn to her work. Gag's lithographs, book illustrations, and drawings use dramatic lights and darks that bring you to a place where the sun is low and the day borders on night - a magical time when evening pulls itself around you - where everything is a little more wild. The landscapes are sinuous and coax the natural world into pattern.





Dreamy

During our last trip to the library my daughter and I found this book to take home and enjoy



In the back there was a picture of Wanda Gag



That's Wanda? I got the feeling there was probably more I wanted to know. I went home and did some quick research. Did you know that this beautiful Bohemian was truly ahead of her time? Her freethinking politics predated the feminist, sexual liberation, and back-to-nature movements by almost fifty years. She designed her own clothing and once she was financially able, she moved to her own rural farmstead in New Jersey, which she called "All Creation."

Art, sex, and growing things - that's how Wanda described her three passions, in order of their importance. At the same time that her mind was free, she was also very disciplined. As a young teenager she was left to support her six younger siblings after her parents' death. As I learn more about her life, I'm beginning to appreciate her work in a new way.

This is on the reading list - should be good






Thursday, February 3, 2011

studio audience

My little studio looks out toward the back yard - I always have an audience.





Their level of interest can range from endearing to spooky.

Monday, January 24, 2011

no fear - tea with Kālī

At the beginning of the month I posted about an idea for the new paper-mâché series. I finished the first one today...








"Every act of creation is first of all an act of destruction."



Quote by Pablo Picasso

Thursday, December 9, 2010

simpler living (my rasp and nippers)


The last couple weeks we've been having trouble with the Internet connection and I've been kept away from the blog. We have limited options for connection here and our first choice ended up being painfully slow....amazing being an hour from a major city! Thankfully our second choice seems to be up to snuff and I'll be able to manage the new Etsy store check in here with more ease.

Around the homestead we've prepared another garden bed employing the Lasagna method. With this method you don't have to work the soil at all, or remove existing grass. It's our first time doing it this way and if nothing else it was a fun way for the kids to help out. There's been plenty of winterizing and carrying water to frozen troughs. Luckily this grey settling in for winter was punctuated by a night of partying with old friends till the wee hours...we need some of that every now and then! Filled with cheer we're ready to continue through the winter months ahead.

Another focus around here has been learning new skills. We enjoy this effort to live closer to our food and to connect as a family through our connection to the land. I hope this choice is open to anyone who wants to explore it no matter what their financial situation - that it's not just seen as a luxury. I think there's a stirring in many of us that feels uneasy about letting the years pass saying,"I'll eventually have the time." If you're honest with yourself and keep simplicity the goal you have a good chance at making a new way now. I'm stumbling and strengthening as we take small steps to escape the work-spend-consume treadmill, it's a hard thing to unravel, but we're already enjoying time together as a family that we've never known.


There are many things we've had to address, but one thing that makes an immediate impact is cutting out paying for services whenever possible. This means mastering a few new skills. My skill for the month - learning to trim hooves. I thought I would always employ the services of a farrier, but I started to wonder if I could do it myself.



I've watched farriers at work since the age of five and I spent years reading through my
Official Manual of the British Horse Society. With some more training I felt confident I could cut this bill out of our budget. Big A brought home the rasp and nippers I'd been eyeing at the Tractor Supply Co. and I'm now doing successful pony trims. Anything more complicated like shoeing or corrective work I would need help with, but for now we're set.



What new skill have you learned that has helped the family budget?




Saturday, November 6, 2010

accepting holiday commissions

I'm enjoying the new work space and will be able to share some of the new series (in both paper mâché and paint) next week. I've recently moved and won't be attending some of my favorite holiday art shows. I'll use the blog to list my work available for sale this season. More work can be viewed at -http://www.rosemarymarkowski.com/


The deadline for holiday portrait commissions is November 13th. Prices start at $375 for a 12x12 oil on panel with a deposit of $100.








The Paper People listed below are available for sale:

Mother and Child with Halo

Couple Standing

One Morning on the Bed




Contact me with any questions.







Friday, October 29, 2010

art trading cards




Art trading cards - fun!


I was recently invited to trade cards with a group of other artist. We all made 2.5 x 3.5 inch pieces (no specific theme or medium for this round) and then we would send them out to each participant - receiving a small collection through the mail in return.


I wasn't sure what type of series I wanted to do -- maybe miniature landscapes? maybe portraits of the paper people?? Trading cards made me think of teams, so I settled on "Team Menagerie" the family animals drawn in copy pencil and white paint.


Want to swap? Contact me.


To see other work look here.

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